I am drawn to stories, information, gossip, and contested histories that reside in the margins of culture.

I choreograph narratives that treat research as both material and method. Fact fuses with fiction; biography is reshaped through imagination. Speculation becomes a generative tool—to think with, and to reconfigure the ever-evolving notion of the archive as practice.

I orchestrate projects that dwell in the interstices of truth and invention, assembling fragments into forms that question how knowledge is produced, remembered, and experienced.